Before
you turn from this page, with its focus on molts and plumages,
Bob Mulvihill would like to offer this tribute to one whose
insights forever changed the way in which we study and discuss these
subjects...
Ken Parkes and Bob
Mulvihill viewing a possible Old World Tundra (Bewick's) Swan
at Donegal Lake near Powdermill in
December 1982.
One of
the most important chapters in the study of molts and plumages,
and in the history of the Powdermill banding program, came to a close
on July 16, 2007 with the passing of a legendary ornithologist, Dr.
Kenneth C. Parkes, who had been receiving care in a nursing home for
the last few years. Born August 8, 1922 in Hackensack, New
Jersey,
he completed both his undergraduate and graduate studies at Cornell
University. He received his doctorate in 1952 for research on The Birds of New York
State and Their
Taxonomy, which resulted in a
612-page thesis in two parts
(non-passerines and passerines).
Dr.
Parkes had a 43-year career with the Section of Birds of Carnegie
Museum of Natural History, from 1953 until his retirement in
1996. For more than 30 of those years, he was its Senior Curator,
and
for many years after his retirement, before suffering a stroke and
becoming ill with Parkinson's disease, he maintained his office in the
section and was a very active Curator Emeritus, working in the bird
range and continuing to work and collaborate on technical
papers, including one published as recently as 2001. Along with
his Assistant
Curator, Dr. Mary Heimerdinger Clench (and later, Dr. D. Scott Wood),
he directed a nascent Powdermill banding program and mentored its
original Bander-in-Charge, Robert Leberman (and later, Bob
Mulvihill). Through the years, his influence and example, and
that of his
curatorial assistants, insured that Powdermill's banding program would
collect
data of value for scientific research on many fronts.
Ken
Parkes was one of modern ornithology's true masters and
one of its true characters, and he will forever be one of its "Grand
Old Men." Out of his more than 500 scholarly contributions to the
professional
ornithological literature, one in particular stands out as being among
the most influential of the twentieth century. Co-authored in
1959 with Philip S. Humphrey, his colleague from Yale University's
Peabody Museum of Natural History, An
Approach to the Study of Molts and Plumages (Auk 76:1-31)
proposed the first tenable scientific framework and terminology for
describing and understanding the evolution of molts and patterns of
plumage succession across a wide range (both
taxonomically and geographically speaking) of bird
groups. This seminal paper and the semantics of the
Humphrey-Parkes molt terminology--the now very familiar terms like
basic,
alternate, supplemental, and definitive plumages--have been a tour de force not only for
advancing evolutionary studies of molt, but also for increasing the
accuracy and precision of field and in-hand bird identifications.
Ken was
famous (some might say, infamous!) for being
unabashedly direct with criticism, which he hardly ever gave a thought
to sugar-coating, and which almost invariably (and frustratingly, for
some) was well-founded. Those of us who
knew him well think that Ken sometimes was purposely "bad" simply as
a strategy or rhetorical device for making a perfectly "good" point
that then couldn't be missed by anyone or, just as importantly,
misattributed to anyone else. It can be said that Ken took
almost childish delight in being right and could not resist the
temptation to set the record straight about birds, whether it was a
technical point in avian taxonomy, a fine point of identification (or
misidentification) of a bird seen locally in western Pennsylvania, or a
small factual error or missing detail accompanying a popular article
about birds in a magazine or newspaper. As a professional
ornithologist, I'm quite sure that Ken holds the record for penning
more letters-to-the-editor than anyone! He
also penned innumerable book reviews for
the leading ornithological journals, and he literally wrote the book
"On the Role of the Referee" (Auk 115: 1079-1080), an invaluable
professional role that he knew very well, having served in that
capacity hundreds of times for dozens of scientific journals, book
editors and would-be authors over the course of his long
career.
All of
this is not to say that Ken was hyper-critical. He
wasn't. If something that somebody did deserved praise in his
estimation, then he was as quick and generous with that as he was with
criticism. He was the first to give credit where credit was due;
he expected (even insisted) on the same in return. I feel
lucky to have earned Ken's praise from time to time during my 25-year
career with Carnegie Museum; I feel equally lucky to have learned from
his criticisms and corrections. One thing is for sure, if a draft
manuscript of mine made it past Ken's pre-submission review, I usually
had little to
worry about from editors and referees!
Ken
respected and greatly encouraged the contributions of amateurs to
the science of ornithology, a tradition that he helped to formalize and
which embodies the mission of his alma
mater, Cornell University and
the Cornell Lab of Ornithology, now a global leader for "citizen
science." Ken's appreciation of birds was not only
intellectual--it also expressed itself in his admiration of those who
had good
field birding skills, his appreciation of good bird art, and his own
simple
love of bird-watching. Ken was as well known and well-liked by
the community of bird watchers and bird artists in his own backyard as
he was admired and well-respected for his significant and always
scholarly scientific
contributions by ornithological colleagues around the world.
In
short, Ken was an ornithologist's ornithologist, a
curator's curator, a birder's birder, and a bird artist's very
discerning and appreciative critic. His life-time contribution to
all things avian was, to say the least, monumental. Dr. Kenneth
C. Parkes was, if not one-of-a-kind,
then surely a very rare (and wonderful) bird, and I feel signally
fortunate and proud
to be able to include him on my life list.
In the words of Pastor David Herndon, who
eulogized Ken in a memorial service at the First Unitarian Church of
Pittsburgh on July 28, "Our world could use more
individuals...whose lives are innocently devoted to learning about the
world, individuals who deeply love and appreciate the natural world,
individuals whose pursuits do not harm or exploit anyone, individuals
who leave behind a legacy of carefully researched understanding and
thoughtful service...We will miss Kenneth Parkes." Yes,
we will.